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Entries from April 1, 2012 - April 30, 2012

Monday
Apr302012

Return to India, Part 19: The wedding band, in the visual style of Sgt. Pepper's (10 image slide show)

 

 

 

 

 

I have uploaded and placed the photos from Sujitha and Manojs wedding in a draft post, but right now I am just too tired to write the text. See, I am a late night person but I had to get up very early this morning to drive Margie to Anchorage so she could spend the rest of the week babysitting rascals while I continue to live like a bachelor. When I have to get up early, I don't sleep. Worse yet, I tried to take a nap this afternoon, but it didn't work.

So, instead, I am posting this 10 image slide show of the wedding band. The instant I saw them dressed in their uniforms, I thought of the cover of the Beatles' Sgt. Peppers Lonely Hearts Club Band album. Don't forget - India was big in the Beatles' life at that time and four of the many people pictured around them in the cover are Indians. I am pretty sure they patterned their own outfits after a band very much like this one.

I loved this band - they had soul, they had character - and their music, Wow! Strong! Energetic! Nothing like the Beatles at all; nothing like anything I have heard in the US - or anywhere but here. It is a sound unto itself - an all Indian sound. I wish I could spend a month with them, hang out with them, see what their lives are like - shoot a full-blown photo essay. I would love to do that. Anyway, to see the slideshow, click either on the photo or right here. You will see them in action in the wedding post, too.

I will write the text early Tuesday - or least right after I have my breakfast and coffee and come to. Actually, it probably won't be that early.

 

 

 

Series index:

India series, part 1: With a little help from the Indian Air Force, I begin my India series without actually beginning it
Return to India, Part 2: Pain beneath the fan, a sprawling tree, monkey on a string; those I would soon join on a train ride; the garland
Return to India, Part 3: My Facebook friend, Ramz, her mischievous brother, her nationally recognized achiever mom, her dad at the wheel
India series, Part 4: When you overtake an elephant on the highway, be sure to pass on the right; birthday remembrance; In Wasilla, pass "oversize" on the left
Return to India, Part 5: I wander the cold, empty, streets of Bangalore
Return to India, Part 6: A cow, blessed and safe; Suji takes me to lunch, then goes out with Bhanu to do some wedding shopping
Return to India, Part 7-A: A three-snack outing as mother and daughter shop for Suji's wedding
Return to India, Part 7-B: On the painted holiday of the final full moon of winter, Sujitha and Kruthika go back to get a necklace
A spacer only - the Buddha and the glamour poster ad
Return to India, Part 8: henna, to highlight her beauty and deepen the love between bride and groom; a moment on the way to the train
Return to India, Part 9: A prayer and a blessing for Suji; we head for the train; three calls to Manu
Time for another spacer - the green man who showed up at the railroad station
Return to India, Part 10: The train to Pune, part 2: Sujitha by the window as a thin thread of her India flows by
Return to India, Part 11: On the train, part 3: Ganesh Ravi - Photographer: how we discovered his hidden talent
Return to India, Part 12: On the train, part 4: After dark
Return to India, Part 13: train ride, part 5: we click and clatter into Pune, take a perilous walk and step into a world beyond imagination
Return to India, Part 14: The groom his wedding suit; me in mine
Return to India, Part 15: A function to mark the final night Sujitha would spend with her family before the wedding
Return to India, Part 16: Inside the Biradar house: portrait of an elder woman - portrait of a young girl
Return to India, Part 17: We dine in the home of the groom's parents, then join in the Puja of Kalasha
Return to India, Part 18: Slideshow: Sujitha and Manoj at the wedding hall - Engagement and Haldi Night
Return to India, Part 19: The wedding band, in the visual style of Sgt. Pepper's (10 image slide show)
Return to India, Part 20: The groom rides a white horse to the temple, there is dancing in the street; Sujitha and Manoj are wed
Return to India, Part 21 - Benediction: Sujitha takes me to the sacred waters; fish dine - a crow flies
Monday
Apr302012

I fall off schedule, so, here is springtime Wasilla: backyard moose, I stop to photograph a train before pulling into Dairy Queen and wind up in line behind "Tripp"; dog, boulders, fourwheeler

 

 

 

 

At a certain point this evening, I realized that I was not going to be able to make my goal of editing, preparing and posting my final Sujitha-Manoj wedding take tonight, so I decided to throw in a few Wasilla pictures - starting with this moose, who I found in our back yard. I will finish the wedding tomorrow.

As you can see, it is truly, finally, spring. The snow has mostly melted. Not completely - that's melting snow hanging from the moose's belly hairs, but it's mostly gone. Soon, it will be all gone.

A little before 9:30 PM last night, I felt like I just had to have a Dairy Queen ice cream cone, dipped in chocolate. Margie's sugar count had been high, so she declined to come. As I pulled into the turn lane off the Parks High to go to Dairy Queen, I saw this train coming down the tracks. There were no cars in the turn lane behind me, so I just stopped, waited for it to draw a bit closer, and then shot.

I was thrilled - overjoyed, you could say.

Damn! I just love trains!

And yet, I have never ridden the Alaska Railroad. I have now ridden the train in India, but not the train whose whistle I often hear from my bed at night, when air conditions are just right to conduct the sound from the tracks to our house - the train that traverses some of the most beautiful and grand country on earth.

Here is that train, right here, passing by me - and I have never ridden it.

After the engine passed, I looked in my mirror and saw a car pull into the turn lane a bit behind me, so I didn't stick around to photograph the freight and tanker cars that it pulled. I turned straight into the Dairy Queen drive-through lane, where I found myself behind a big, shiny, black, pickup truck with the word, "Tripp," emblazoned on the vanity license plate. The face of the driver was perfectly framed in the side rear view mirror. It was a pretty face, young and looked a bit familiar.

I thought about taking a few photos to show the truck, the license plate, the pretty face in the mirror and then the hands and face of the Dairy Queen girl as she reached out to serve her. There could be money in such a picture - and it is not as if the young lady who I figured was likely behind the wheel is not used to having people take her picture all the time, anyway, wherever she goes, her image being plastered on magazine covers and TV screens. Being a public figure, she is considered fair game and could not have legitmately protested - and probably wouldn't have, anyway.

Maybe she would have even been glad.

But damn! I'm not a papparazi!

And, with a few minor lapses, I have kept myself out of this absurd game - although one cannot live in Wasilla and keep himself completely out of it - or, indeed, the United States - and Barack Obama himself got drawn into the game a bit last night during the President's annual press dinner when he said pit bull's are delicious.

Yet, I figured maybe, at this moment, it was just possible the driver might just like to sit there in her truck and be served ice cream in peace. So I, who photograph damn near everything I see and mostly for free, laid my camera down upon the passenger seat and let what could possibly have been a money image - something I sure need right now - pass untaken.

Oh, well.

 

 

 

 

 

 

 

 

 

 

 

I saw this dog as I walked up Wards today. Look closely, and you can see the last remnants of Wasilla's dying snow.

Charlie came out today and brought 25 raven photos he had taken on a disk in CR-2 format. He has been invited to hang a selection of raven images in a raven First Friday photo show at the Midnight Sun Brewing Company in Anchorage. He figured he would hang about 15 and he wanted me to help him make the final edit and also to process the CR-2 RAW files.

I figured he was probably optimistic to think that 15 of the 25 would good enough to hang in the show. Maybe 8, I thought, ten if he had really done good.

Damn! We only removed two.

He did damned good.

Damned good!

I could not have put together a raven show like Charlie's!

A while back, he made it a goal to photograph a raven everyday.

The show goes up Friday and will hang for a month. Any reader who finds themselves in Anchorage during that time period and likes photography and/or ravens - go see it:

Midnight Sun Brewing Co. 8111 Dimond Hook Drive, Anchorage.

After we finished the photos, Charlie treated me to a coffee. Along the way, we passed by these boulders bordering this puddle coming and going. Somebody took a lot of trouble to do this.

Just beyond the boulders, we passed this guy on a fourwheeler, kicking up dust for people to eat.

In the dry periods, we eat a lot of dust in these parts. Outside, few people think of Alaska as dusty, but it is. Glacier dust - mixed with fine volcanic ash - the worst kind of dust you can imagine.

 

Saturday
Apr282012

Return to India, Part 18: Slideshow: Sujitha and Manoj at the wedding hall - Engagement and Haldi Night

Instead of my usual picture-word narrative, I am doing this one in a slideshow - in part because I have too many pictures to place inside a regular blog entry. Not all of them will be of interest to everybody, but I am certain they will all be of interest to Sujitha, Manoj and relatives and friends. I am also doing it in part, because I want to get this up tonight and if I take the time to blog it in the usual way, I will have to take the time upload, resize and thumbnail the pictures and then to write it up.

This would keep me up well into the wee hours. So I am going to try it as a slide show.

Although many might look at this and think it is the wedding itself, it is not. This is the Engagement and Haldi Night. The wedding will take place the next day. On this night, the two families will greet each other with blessings and servings of sugar and gifts of coconut, and then the bride and groom will be pampered, blessed, given gifts, painted with tumeric (haldi), showered and in many other ways just made to feel special.

Everyone will have fun.

To western eyes, a couple of shots will look like the part in a wedding ceremony where the bride and groom exchange rings as an acknowledgement that they are now wed. In this case, it symbolizes the engagement.

It is still Saturday night where I sit. On Sunday, I will blog the wedding itself. Perhaps I will do it both ways - a bit of narrative and some slide show. I definitely want to do narrative, but perhaps I can add a slideshow or two to work in a few more photos. If I can find the time, maybe I will just do it in multiple narratives and no slideshow. Personally, I prefer the narrative. In my mind, I can see how to work slideshows and narrative together into one unit in which the words play off the photos, and I am certain the program to do it is out there somewhere, but I don't know where.

Someday in the not distant future, I hope to find it.

To view this slide show, click either on the picture or right here.

 

 

 

Series index:

India series, part 1: With a little help from the Indian Air Force, I begin my India series without actually beginning it
Return to India, Part 2: Pain beneath the fan, a sprawling tree, monkey on a string; those I would soon join on a train ride; the garland
Return to India, Part 3: My Facebook friend, Ramz, her mischievous brother, her nationally recognized achiever mom, her dad at the wheel
India series, Part 4: When you overtake an elephant on the highway, be sure to pass on the right; birthday remembrance; In Wasilla, pass "oversize" on the left
Return to India, Part 5: I wander the cold, empty, streets of Bangalore
Return to India, Part 6: A cow, blessed and safe; Suji takes me to lunch, then goes out with Bhanu to do some wedding shopping
Return to India, Part 7-A: A three-snack outing as mother and daughter shop for Suji's wedding
Return to India, Part 7-B: On the painted holiday of the final full moon of winter, Sujitha and Kruthika go back to get a necklace
A spacer only - the Buddha and the glamour poster ad
Return to India, Part 8: henna, to highlight her beauty and deepen the love between bride and groom; a moment on the way to the train
Return to India, Part 9: A prayer and a blessing for Suji; we head for the train; three calls to Manu
Time for another spacer - the green man who showed up at the railroad station
Return to India, Part 10: The train to Pune, part 2: Sujitha by the window as a thin thread of her India flows by
Return to India, Part 11: On the train, part 3: Ganesh Ravi - Photographer: how we discovered his hidden talent
Return to India, Part 12: On the train, part 4: After dark
Return to India, Part 13: train ride, part 5: we click and clatter into Pune, take a perilous walk and step into a world beyond imagination
Return to India, Part 14: The groom his wedding suit; me in mine
Return to India, Part 15: A function to mark the final night Sujitha would spend with her family before the wedding
Return to India, Part 16: Inside the Biradar house: portrait of an elder woman - portrait of a young girl
Return to India, Part 17: We dine in the home of the groom's parents, then join in the Puja of Kalasha
Return to India, Part 18: Slideshow: Sujitha and Manoj at the wedding hall - Engagement and Haldi Night
Return to India, Part 19: The wedding band, in the visual style of Sgt. Pepper's (10 image slide show)
Return to India, Part 20: The groom rides a white horse to the temple, there is dancing in the street; Sujitha and Manoj are wed
Return to India, Part 21 - Benediction: Sujitha takes me to the sacred waters; fish dine - a crow flies
Friday
Apr272012

Return to India, Part 17: We dine in the home of the groom's parents, then join in the Puja of Kalasha

 

 

 

 

The drive by large van from the K. Ganesh home, where we were hosted, to the house of the groom's parents took somewhere between half-an-hour and 45 minutes. The bride used the time to apply her makeup and finish her beauty routine. By the time we arrived, Sujitha looked... well, see for yourself... stunning and gracefully beautiful! Now it was time to enter the home of Manoj's parents - the household that she was about to become a member of.

Along with a host of relatives who had come up from Bangalore and an uncle who had come from Wasilla, Sujitha was greeted at the gate of Manoj's father and mother, Mahadev Bimanna and Jayshree Biradar with a blessing.

As lunch is being prepared, Sujitha sits with her cousins, Aishu Visnu and Brindha Padmanabhan, in the upstairs living room.

 

 

 

 

 

 

There is time to visit and socialize. Sujitha returns to the lower level and then poses in the doorway to the Biradar home with Manoj. Above the doorway is a representation of the deity Ganesha, Remover of Obstacles, Lord of Beginnings. The doorway frame is decorated by the same forehead symbol that identifies members of the Lingayat faith.

Back inside, Sujitha visits with her close friend and former coworker in Bangalore, Ganesh Arumugham. In the aftermath of tragedy, Ganesh was her confident and comforter at work. Ganesh plans to marry in October. In the background, Sujitha's brother Ganesh talks with cousin Aishu.

As her father and brother-in-law to be pass by, Sujitha receives a hug from Aishu.

 

 

 

 

 

Sujitha and Soundarya - "Soundu" - had often spoke of the good times they would share together at the wedding of Suji and Manoj. Soundu is not here, but the unfinished tribute to her and Anil tattooed onto the bride's arm continually reminds us of her and in spirit brings her to us.

As requested, Suji puts her henna wedding art on display.

Not long after I took this photograph, Aishu and I were visiting and she asked me how I felt about India. I told her that I love India, and that I regreted that I had not come here earlier in life so that I could have came back more often, could have seen and learned more.

"But then we wouldn't have been part of your India," she responded. No, I argued, I could still have met them at my niece Khena's wedding - even after I had already gotten to know India and they would still have been part of my India. Since then, I have thought more about it. I think Aishu was right. If I had gotten to know India when I was younger, everything would have turned out differently. My relationship with the country would have been different. It would not have happened the same at all.

Aishu and her extended family are not only part of my India - THEY ARE my India.

I am glad now that I did not come earlier. I would not have wanted India any other way.

Soon, lunch was served.

As always seems to be the case in an Indian home, it was excellent. And don't let this fool you. The servings kept coming and coming. I ate in abundance.

 

 

 

 

 

 

 

 

 

 

 

After lunch, there was a bangle function for Sujitha.

Suji receives instruction of the way of the Lingayat when it comes to wearing bangles.

Sujitha and Aishu.*

After the bangle function, Sujitha and Bhanu spent time meeting in turn with and socializing with different women family members and friends of the Biradar's.

There is a sacred necklace and locket Sujitha will be expected to wear from now on, although most of the time it will hang on the inside of her clothing and will not be seen. The Brahmin also wear a necklace to serve the same basic purpose, but it is made of gold and is different in design and make. She shows her Lingayat-style necklace and locket to cousin Bharathi Kalyan and mother Bhanu.

The earliest, pre-temple shrines in Hindu culture date back thousands of years and are built on a design called Lynga, said to symbolize the male and female union, in both the physical and spiritual sense. The Lynga is contained within the silver locket. A Rudraksh seed also serves as a prayer bead.

In the late afternoon - early evening, Sujitha's father Ravi will perform a lead role in a Puja function called Kalasha. In the meantime, lunch has left just about everybody feeling sleepy so they nap on the floor. Sujitha uses her dad as a pillow.

Ravi, performing the Puja of the Kalasha, along with Chandu Bagale, maternal uncle to Manoj.

 

 

 

 

Again, my knowledge is too limited for me to attempt to go into any detail, but the coconut, mango leaves and water in the post are considered to be a symbol of abundance and the source of life, to contain the elixir of life. The Puja Kalasha is considered to be auspicious, a prayer ceremony to request all the things it represents to be plentiful in the couple's life.

Priest Mallayswami conducts the puja. A videographer with a strong light also documents the event. I should note that this videographer was very polite and friendly and eager to help me out. He did not speak English, so we could not speak directly, but if he was not shooting and he saw me shooting into what he deemed to be too dark of a space, he would turn on his light just for me.

I didn't always want the light - sometimes, I just wanted the glow of a lamp, or the softer light natural to the room, but he made such an effort to assist me that I could not help but appreciate it and so just accepted it. I have decided that the strong, hot, glaring video light has become a natural part of Indian weddings and is just one more element for me to work with, rather than to rail against.

Ravi holds the plate with burning lamps.

Ravi wears the type of hat worn by the men in this part of India.

Participants are blessed and purified in the smoke.

Manoj is blessed.

Sujitha was blessed in the same manner. I photographed it, but I like this shot a few seconds later better.

The couple prays.

 

 

 

 

 

 

 

 

 

 

 

Chandu Bagale feeds Ravi either sugar or something made of sugar.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Ravi returns the treat.

Sujitha stands with Manoj and the family about to become her own.

 

*April 28: There is special significance to the ring on Suji's little finger that I was unaware of when I posted this. She explains in comments.

 

 

 

Series index:

India series, part 1: With a little help from the Indian Air Force, I begin my India series without actually beginning it
Return to India, Part 2: Pain beneath the fan, a sprawling tree, monkey on a string; those I would soon join on a train ride; the garland
Return to India, Part 3: My Facebook friend, Ramz, her mischievous brother, her nationally recognized achiever mom, her dad at the wheel
India series, Part 4: When you overtake an elephant on the highway, be sure to pass on the right; birthday remembrance; In Wasilla, pass "oversize" on the left
Return to India, Part 5: I wander the cold, empty, streets of Bangalore
Return to India, Part 6: A cow, blessed and safe; Suji takes me to lunch, then goes out with Bhanu to do some wedding shopping
Return to India, Part 7-A: A three-snack outing as mother and daughter shop for Suji's wedding
Return to India, Part 7-B: On the painted holiday of the final full moon of winter, Sujitha and Kruthika go back to get a necklace
A spacer only - the Buddha and the glamour poster ad
Return to India, Part 8: henna, to highlight her beauty and deepen the love between bride and groom; a moment on the way to the train
Return to India, Part 9: A prayer and a blessing for Suji; we head for the train; three calls to Manu
Time for another spacer - the green man who showed up at the railroad station
Return to India, Part 10: The train to Pune, part 2: Sujitha by the window as a thin thread of her India flows by
Return to India, Part 11: On the train, part 3: Ganesh Ravi - Photographer: how we discovered his hidden talent
Return to India, Part 12: On the train, part 4: After dark
Return to India, Part 13: train ride, part 5: we click and clatter into Pune, take a perilous walk and step into a world beyond imagination
Return to India, Part 14: The groom his wedding suit; me in mine
Return to India, Part 15: A function to mark the final night Sujitha would spend with her family before the wedding
Return to India, Part 16: Inside the Biradar house: portrait of an elder woman - portrait of a young girl
Return to India, Part 17: We dine in the home of the groom's parents, then join in the Puja of Kalasha
Return to India, Part 18: Slideshow: Sujitha and Manoj at the wedding hall - Engagement and Haldi Night
Return to India, Part 19: The wedding band, in the visual style of Sgt. Pepper's (10 image slide show)
Return to India, Part 20: The groom rides a white horse to the temple, there is dancing in the street; Sujitha and Manoj are wed
Return to India, Part 21 - Benediction: Sujitha takes me to the sacred waters; fish dine - a crow flies
Thursday
Apr262012

Return to India, Part 16: Inside the Biradar house: portrait of an elder woman - portrait of a young girl

 

 

 

 

 

 

 

What does she look back upon, Manoj's grandmother Shivamma, who lives in Bijapur, a remote village that still lacks many of the conviences of the modern world, including running water and sewer? I met her in the home of Manoj's parents, Mahadev Bimanna and Jayshree Biradar. How does she fit the new and changing India into the one that formed her?

And just what does she dream, this young girl whom I found sleeping within the walls of the same house? How will the new India unfold before her? And how will the India of old fit into it?

These questions, by the way, apply not only in India, but wherever the reader might be, too.

 

 

 

Series index:

India series, part 1: With a little help from the Indian Air Force, I begin my India series without actually beginning it
Return to India, Part 2: Pain beneath the fan, a sprawling tree, monkey on a string; those I would soon join on a train ride; the garland
Return to India, Part 3: My Facebook friend, Ramz, her mischievous brother, her nationally recognized achiever mom, her dad at the wheel
India series, Part 4: When you overtake an elephant on the highway, be sure to pass on the right; birthday remembrance; In Wasilla, pass "oversize" on the left
Return to India, Part 5: I wander the cold, empty, streets of Bangalore
Return to India, Part 6: A cow, blessed and safe; Suji takes me to lunch, then goes out with Bhanu to do some wedding shopping
Return to India, Part 7-A: A three-snack outing as mother and daughter shop for Suji's wedding
Return to India, Part 7-B: On the painted holiday of the final full moon of winter, Sujitha and Kruthika go back to get a necklace
A spacer only - the Buddha and the glamour poster ad
Return to India, Part 8: henna, to highlight her beauty and deepen the love between bride and groom; a moment on the way to the train
Return to India, Part 9: A prayer and a blessing for Suji; we head for the train; three calls to Manu
Time for another spacer - the green man who showed up at the railroad station
Return to India, Part 10: The train to Pune, part 2: Sujitha by the window as a thin thread of her India flows by
Return to India, Part 11: On the train, part 3: Ganesh Ravi - Photographer: how we discovered his hidden talent
Return to India, Part 12: On the train, part 4: After dark
Return to India, Part 13: train ride, part 5: we click and clatter into Pune, take a perilous walk and step into a world beyond imagination
Return to India, Part 14: The groom his wedding suit; me in mine
Return to India, Part 15: A function to mark the final night Sujitha would spend with her family before the wedding
Return to India, Part 16: Inside the Biradar house: portrait of an elder woman - portrait of a young girl
Return to India, Part 17: We dine in the home of the groom's parents, then join in the Puja of Kalasha
Return to India, Part 18: Slideshow: Sujitha and Manoj at the wedding hall - Engagement and Haldi Night
Return to India, Part 19: The wedding band, in the visual style of Sgt. Pepper's (10 image slide show)
Return to India, Part 20: The groom rides a white horse to the temple, there is dancing in the street; Sujitha and Manoj are wed
Return to India, Part 21 - Benediction: Sujitha takes me to the sacred waters; fish dine - a crow flies